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Fifteen years ago, Una and Ray had a relationship. They haven't set eyes on each other since. Now she's found him again.
Blackbird was commissioned by the Edinburgh International Festival and premiered at the King's Theatre, Edinburgh, in August 2005. The production transferred to the Albery Theatre, London, in February 2006, and went on to open at the Manhattan Theater Club, New York City, in April 2007.
- Sales Rank: #298926 in Books
- Brand: Brand: Dramatists Play Service, Inc.
- Model: 3643888
- Published on: 2008-01-02
- Original language: English
- Number of items: 1
- Dimensions: 7.50" h x 7.25" w x .50" l, .20 pounds
- Binding: Paperback
- 72 pages
- Used Book in Good Condition
Review
“Harrower's drama positively explodes with unresolved, and possibly irresolvable, concerns . . . his brooding ambiguity and his dry, resonating poetry culminate in one of the most daring new plays of recent years.” ―Sunday Herald
About the Author
David Harrower's plays include Knives in Hens, Kill the Old, Torture Their Young, Presence, and Dark Earth. Blackbird was shortlisted for the Saltire Society Book of the Year Award and won the 2007 Lawrence Olivier Award for Best New Play.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Blackbird - a play by David Harrower
By Amazon Customer
I bought the play Blackbird, because I wasn't going to get the chance to see it on Broadway. I read the play, and I didn't want it to end. It's not your ordinary night out at the theatre. It presents you a world that is unsettling, disturbing, and intriguing! The script was haunting and beautiful. It's been a few weeks since I've read it, and it's still stuck with me. Bravo David Harrower!
2 of 3 people found the following review helpful.
SOMETIMES THE PAST DOESN'T GO AWAY
By David Keymer
David Harrower. Blackbird. Faber and Faber. 87+vi pp. 2006. $13 (pb)
English playwright Harrower wrote Blackbird in 2005 for an Edinburgh premiere. It opened in London in 2006 and in New York in 2007 and won the Laurence Olivier Award for Best New Play in 2007. It's essentially a two-character play, an older man and a younger woman in hot argument. (A voice is heard off stage at one point and for two pages a young girl is on stage with the two of them.) The woman is Una. She's twenty-seven. The man is Ray, although he goes by the name Peter now. He's fifty-five.
Fifteen years ago they were lovers. Ray was caught. He was sent to jail. He served his sentence and came out. He has worked hard since then to put his life back in order. He has a woman. She has a daughter. The woman knows about Ray's past but probably not the finer details. She wasn't happy about it but Ray -excuse me, Peter-- is a new man now.
Una isn't a new person. She's never been able to get beyond that time when Ray and she were illicit lovers. She's been frozen in that place for fifteen years -by her parents, who blame her for it, by her neighbors who point at her, by her own crippling and complex feelings about the past and about Ray.
Then one day, she sees Ray's picture in a magazine, a trade journal. There he is in the photo, smiling at the camera, but his name isn't Ray, it's Peter, Peter Trevelyan, how white bread can you get? She confronts him at his work place. He takes her into the locker room so they can talk alone.
They talk non-stop, just the two of them except for a page or two when Ray's new step-daughter comes into the room, for eighty-seven pages, in a glorious language that is at once wholly naturalistic and intensely, elegiacally poetic. They express harrowing sentiments (no pun intended) and exhume old hurts. The play ends without a clear victory or loss for either of them. It's just been a complicated dance --two people with an exceptionally painful joint history to explore but no resolution to it.
2 of 3 people found the following review helpful.
chilling and captivating
By redcellogirl
This play is really chilling. The playwright boldly explores the forbidden relationship between a pre-teen and an older lover, and the emotional roller coaster that occurs. Very moving, disturbing and heartfelt.
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