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A film's ending is crucial. It is the last thing the audience sees and often the last thing it remembers upon leaving the theater. Indeed, it's no stretch to suggest that, more than any other part of the film, the ending determines whether the audience likes a film or not. By extension, the ending of a script is probably the last thing a reader will remember when they put it down. An otherwise great script will likely be passed on if it does not end well. The Third Act is the first screenwriting instructional book to focus entirely on that most important part of a script - the ending.
The book features detailed examinations of many memorable films, including Rocky, Rain Man, Good Will Hunting, Cast Away, Saving Private Ryan, Casablanca, Witness, Million Dollar Baby, Se7en, Lost in Translation and Gladiator. Through this analysis, Drew Yanno highlights the structural elements you'll need to make the ending of your screenplay as compelling and satisfying as possible. If you want to understand the art of writing a great ending to your screenplay, The Third Act is a truly useful resource and inspiration.
- Sales Rank: #1249504 in eBooks
- Published on: 2016-01-27
- Released on: 2016-01-27
- Format: Kindle eBook
Review
"I have made The Third Act required reading for everyone at my production company" - Will Smith, Overbrook Entertainment
About the Author
Drew Yanno founded the screenwriting program in the Film Studies Department at Boston College (USA), where he taught courses in screenwriting and adaptation for eleven years.� Drew has been a member of the WGA since 1995 when he sold his first script.
His latest book Idea to Story to Screenplay - A Workbook For Writing the First Draft of Your Screenplay is now available as a Kindle ebook on Amazon.
Most helpful customer reviews
16 of 16 people found the following review helpful.
True Screenwriting Gem -- A great book for writers and film critics alike!
By A. Bradley
Thank god someone has finally written an intelligent and helpful book on 3rd Acts!!
Having earned my MFA in Screenwriting from USC and working full time in development, I have read hundred of scripts. I can say for a fact that even the best writers can meet their downfall in the crucial third act (see Cameron Crowe's Elizabethtown).
I have seen many good scripts crash and burn at page 80 - the start of the 3rd act. Usually the writer has no idea how to resolve their plotlines, and winds up taking shots in the dark. The truly amazing scripts have killer third acts - every moment of the previous scenes as been building to this. The mediocre scripts have satisfying, yet never surprising, third acts. And truly horrible scripts? Well, those writers never considered their third act while writing the first act.
Yanno walks the reader (and screenwriter) through the key types of scenes often seen and usually required in successful 3rd acts. He breaks down the mechanisms of the 3rd act, and of scripts in general, without losing the purpose of writing - to tell a story that evokes emotion.
During his numerous examples, Yanno does not discriminate with his taste in films. He discusses a wide range of movies: classics, modern releases, art house flicks, and even popcorn blockbusters. Most screenwriting books focus on the author's one or two favorite examples, Yanno uses almost 20!
Although I read The 3rd Act as a screenwriting guide, it works equally as a critical discussion of story structure - and therefore would be a tremendous value to writers and film theorists alike.
I really hope this is the first in a series by Drew Yanno. His thorough and friendly examination of other areas of screenwriting in definitely needed.
12 of 12 people found the following review helpful.
Helps with more than just the ending!
By Rich Flair
I had the privilege of taking Yanno's screenwriting classes a few years ago, and when I heard he was coming out with a new book, I knew I had to buy it right away. While there are so many screenwriting books on the market, there aren't too many that focus exclusively on the hardest part of a script: the ending. As a struggling screenwriter myself, I know how difficult it can be to write a complete script from beginning to end. I also know how difficult it can be to find the perfect ending to a script that refuses to escape from a state of unfinished purgatory. Yanno's book helps a writer escape that depressing limbo by providing helpful insight to end your movie the right way. Yanno knows that a movie's ending can make or break the story. He knows that a bad ending can make the best movies feel stale, and agrees that even the opposite is true; that a great ending can make a mediocre movie seem better than it really is. The strength in Yanno's book not only rests within the many examples of great movie endings, but also with a good amount of bad movie endings--some of those movies being movies that Yanno himself liked a lot, but agreed that the quality of the ending is the reason why the movie is seen as a failure. While the bulk of this book is focused on showing how to create a great ending, by use of these examples, Yanno has also included a list of thirty questions that I believe is the perfect blueprint for a screenplay as whole. While those thirty questions help the writer form an ending that bests fit with the script's story and characters, they also help the writer isolate the core of the script's story and characters in order to make a complete work more complete. In closing, Yanno's book is a vital (and affordable) tool that any screenwriter should possess in order to make your work truly stand out (in a good way)!
7 of 7 people found the following review helpful.
Keeping It Simple
By J. Britten
Problem solved! Drew Yanno's book arrived just in time as I was about to give up on a spec script that I had wrestled with for the past six months.
After reading his book, my problem became quite clear. I had conflict, I had resolution, but I had neglected to answer the question raised in the first act.
I use the word "simple" purposefully as this is the style of Mr. Yanno's writing. He lays out guidlines for great endings in clear, plain English. No math degree needed, no plot points, no concentric circles, no diagrams.
The book is rife with specific examples of how great endings were fashioned in a wide range of great movies from Casablanca to Gladiator. His dissection of the third act of the latter was particularly instructive to me as it always struck me as contrived. Walking through the construction of the act, the author explained how and why it was the best way to resolve the ultimate conflict while answering the first act question.
So, if you think your script needs a geometric fix, read McKee. If you want to satisfy your audience with a great ending, read Yanno.
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