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Wolf Hall: A Novel, by Hilary Mantel
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In the ruthless arena of King Henry VIII's court, only one man dares to gamble his life to win the king's favor and ascend to the heights of political power
England in the 1520s is a heartbeat from disaster. If the king dies without a male heir, the country could be destroyed by civil war. Henry VIII wants to annul his marriage of twenty years, and marry Anne Boleyn. The pope and most of Europe opposes him. The quest for the king's freedom destroys his adviser, the brilliant Cardinal Wolsey, and leaves a power vacuum.
Into this impasse steps Thomas Cromwell. Cromwell is a wholly original man, a charmer and a bully, both idealist and opportunist, astute in reading people and a demon of energy: he is also a consummate politician, hardened by his personal losses, implacable in his ambition. But Henry is volatile: one day tender, one day murderous. Cromwell helps him break the opposition, but what will be the price of his triumph?
In inimitable style, Hilary Mantel presents a picture of a half-made society on the cusp of change, where individuals fight or embrace their fate with passion and courage. With a vast array of characters, overflowing with incident, the novel re-creates an era when the personal and political are separated by a hairbreadth, where success brings unlimited power but a single failure means death.
- Sales Rank: #526138 in Books
- Published on: 2009-11-24
- Released on: 2009-11-24
- Formats: Audiobook, CD, Unabridged
- Original language: English
- Number of items: 18
- Dimensions: 6.04" h x 42.16" w x 5.20" l, 1.09 pounds
- Running time: 87540 seconds
- Binding: Audio CD
- 18 pages
Amazon.com Review
Amazon Best of the Month, October 2009: No character in the canon has been writ larger than Henry VIII, but that didn't stop Hilary Mantel. She strides through centuries, past acres of novels, histories, biographies, and plays--even past Henry himself--confident in the knowledge that to recast history's most mercurial sovereign, it's not the King she needs to see, but one of the King's most mysterious agents. Enter Thomas Cromwell, a self-made man and remarkable polymath who ascends to the King's right hand. Rigorously pragmatic and forward-thinking, Cromwell has little interest in what motivates his Majesty, and although he makes way for Henry's marriage to the infamous Anne Boleyn, it's the future of a free England that he honors above all else and hopes to secure. Mantel plots with a sleight of hand, making full use of her masterful grasp on the facts without weighing down her prose. The opening cast of characters and family trees may give initial pause to some readers, but persevere: the witty, whip-smart lines volleying the action forward may convince you a short stay in the Tower of London might not be so bad... provided you could bring a copy of Wolf Hall along. --Anne Bartholomew
From Publishers Weekly
Henry VIII's challenge to the church's power with his desire to divorce his queen and marry Anne Boleyn set off a tidal wave of religious, political and societal turmoil that reverberated throughout 16th-century Europe. Mantel boldly attempts to capture the sweeping internecine machinations of the times from the perspective of Thomas Cromwell, the lowborn man who became one of Henry's closest advisers. Cromwell's actual beginnings are historically ambiguous, and Mantel admirably fills in the blanks, portraying Cromwell as an oft-beaten son who fled his father's home, fought for the French, studied law and was fluent in French, Latin and Italian. Mixing fiction with fact, Mantel captures the atmosphere of the times and brings to life the important players: Henry VIII; his wife, Katherine of Aragon; the bewitching Boleyn sisters; and the difficult Thomas More, who opposes the king. Unfortunately, Mantel also includes a distracting abundance of dizzying detail and Henry's all too voluminous political defeats and triumphs, which overshadows the more winning story of Cromwell and his influence on the events that led to the creation of the Church of England. (Oct.)
Copyright � Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Bookmarks Magazine
Critics were not surprised at Mantel's Booker Prize win, despite stiff competition that included A. S. Byatt's The Children's Book and J. M. Coetzee's Summertime. Wolf Hall offers a fascinating and expertly researched look at a man famously villainized in the play and film A Man for All Seasons and Showtimes's more recent bodice-ripping series The Tudors. Despite the effusive praise, critics thought that the vast array of characters (many named Thomas) and titles of nobility may leave some readers scratching their heads despite the guide Mantel provides in the book. Nevertheless, this intriguing human portrait should leave most readers anticipating the promised sequel.
Most helpful customer reviews
16 of 16 people found the following review helpful.
Great Potential but Poor Editing
By Chelle Belle
I dislike three star reviews. I'm a like it or don't person, but with a book that is equal parts good and bad three stars is the best option. I put off reading this book for several years because I was aware of the "he" issue. I finally decided to give it a go and while the book had great potential, there are major editing issues that detract from the readers' ability to get lost in the story. I would love to see this book re-edited and re-released for its' tenth anniversary.
First, what I liked. The characterizations are very cleverly written and engaging. Mantel made me see people whose history I am very familiar with in an entirely different, and more human, light. Call-Me-Risley, Uncle Norfolk, Cardinal Wolsey, Charles Brandon, and Cromwell himself are written with good humor and insight. Despite the books flaws, I highlighted more lines and passages on my kindle than I normally do, and some bits I have carried with me into my life. Arrange your face is damn good advice. Cromwell in particular is very well done; not only did he take on a personality beyond any depiction I have read of him so far, including biographical, but he is presented as a man of many talents, layers, and surprises. There is surprisingly good work here.
However, there are flaws and one must go in knowing them or you won't get through this thing. The transitions can be abrupt and the chronology at times confusing. While I don't depend on a linear timeline per se, this book tends to float around in time/memory and you can find yourself reading a few pages back to find out where you are. And then there's the overriding issue of "he", which is every bit as obnoxious as other reviewers have stated. Quite honestly, more than once I found myself saying that these are rules a fifth grade writer understands. Truly. Maybe it was an attempt at being atmospheric or deep, but instead it continually pulls the reader out of the story. It lent an aura of confusion and ambiguity to the entire book. For example:
"Old Wykys was queasy when they put out to see. He stayed on deck, making himself useful; you must have been a ship's boy, master, one of the crew said." The "he" in question being Cromwell, not Wykys as all basic rules of grammar and writing dictate.
" 'Princes are not obliged to consitency' he says. He thinks, I may forget myself, lean across, and push you overbaord." The first he being Brandon (or Norfolk, I forget), while the second he is Cromwell. Seriously.
Someone - probably Henry Norris - laughs. It is he who speaks. 'The king has one child born in wedlock.' " He being, again, Cromwell.
So that's unfortunate. Later in the book it turns into "he, Cromwell," which is only more annoying. I wanted to give this four stars but the "he" issue is too big to overlook. The book had huge potential and is overall a good read with great characters and wonderful bits of wisdom and history. But the writer is only as good as her editor and that editor should be fired. I'm glad I finally read Wolf Hall but I won't continue with the series, or read any of Mantel's work, unless I'm confident she has fixed the "he" issue.
9 of 9 people found the following review helpful.
WISH I HAD READ MORE REVIEWS
By Mel
I kept hearing that this was good won awards blah blah blah I like the Tudor period this was a different perspective, first of all if I had realized it was in the first person present tense I probably would never have bothered, but I did so I dove in gave it a fair shot. I could not finish this book and I rarely ever don't finish a book. There is almost constant confusion over who was talking and just random mid conversation reminiscing about characters that don't matter are never introduced for reasons that are unfathomable and then back to the conversation but by then you are still trying to figure out what that last bit was supposed to be you have no idea who is talking at that point, ugh it gave me a headache. I could only read as much as i did by doing it in small intervals. Its a shame I would love to see a better written coherent story from this characters perspective, Thomas Cromwell is largely overlooked just a side player in other people's stories it would have been interesting to hear his thoughts just maybe not from the such a confusing perspective and maybe with a little more coherency and attention to plot rather than random burbles of time here and there, not always in chronological order either. So my advice read more reviews to get a better idea of what to expect and if possible try this out from a library before you waste your money to see if you can even read it. Bottom line an intriguing concept that deserved to be done better. I look forward to seeing what they do with the miniseries as I think the visual medium would hopefully eliminate the majority of the flaws.
6 of 6 people found the following review helpful.
Complex Cromwell stars in this meaty, historical novel
By Virginia Kur
This is a hearty, substantial book filled to the brim with history, politics, and many, many characters. There's much to love here, including complex characterizations, political drama, historical intrigue, lyrical descriptions, and subtle turns of phrases in dialogue, but you have to be willing to really commit to this book. In particular, it requires attention to keep the characters and dialogue straight. As others have noted, there are many characters named Thomas and Henry, which proves challenging at times, and led me to rely heavily on the character list. And Mantel uses "he" to mean Cromwell, even when it's not intuitive. However, once I was accustomed to these idiosyncrasies, I quickly fell in love with this book. I loved the complex Cromwell, who beguiles the reader with his ruthless political ambition but charms with his fierce loyalty to family and friends, as well as the volatile Anne Boleyn, who alternates between supreme confidence and impulsive insecurity as newly crowned queen.
If you're a fan of historical fiction, political intrigue, and meaty, substantial books, I highly recommend Wolf Hall for your next book to read.
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