Ebook The Burial Hour (A Lincoln Rhyme Novel), by Jeffery Deaver
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The Burial Hour (A Lincoln Rhyme Novel), by Jeffery Deaver

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DANGEROUSLY GOOD. DISTINCTIVELY DEAVER.
Forensic detective Lincoln Rhyme is back with his most harrowing case yet in this newest installment of Jeffrey Deaver's New York Times bestselling series.
A businessman snatched from an Upper East Side street in broad daylight. A miniature hangman's noose left at the scene. A nine-year-old girl, the only witness to the crime. With a crime scene this puzzling, forensic expertise of the highest order is absolutely essential. Lincoln Rhyme and Amelia Sachs are called in to investigate.
Soon the case takes a stranger turn: a recording surfaces of the victim being slowly hanged, his desperate gasps the backdrop to an eerie piece of music. The video is marked as the work of The Composer...
Despite their best efforts, the suspect gets away. So when a similar kidnapping occurs on a dusty road outside Naples, Italy, Rhyme and Sachs don't hesitate to rejoin the hunt.
But the search is now a complex case of international cooperation--and not all those involved may be who they seem. Sachs and Rhyme find themselves playing a dangerous game, with lives all across the globe hanging in the balance.
- Sales Rank: #181731 in Books
- Published on: 2017-04-11
- Released on: 2017-04-11
- Formats: Audiobook, CD, Unabridged
- Original language: English
- Number of items: 13
- Dimensions: 5.75" h x 1.50" w x 5.13" l,
- Running time: 840 minutes
- Binding: Audio CD
Review
"THE BURIAL HOUR keeps readers guessing. Deaver is a master of plot twists, and they are abundant in this story that keeps the reader guessing about who can be trusted and what's behind the motivations of the abductor. Putting Rhyme and Sachs in unknown territory showcases a different side of their characters. Making them jump through hoops to keep international peace gives the story an extra edge."―Jeff Ayers, Associated Press
"Jeffery Deaver's forte is the diabolical puzzle mystery, and THE BURIAL HOUR is so devilishly tricky you can practically smell the sulfur fumes... In a bold plot twist, Deaver folds Rhyme's inquiries into a broader investigation of a humanitarian challenge shared by the whole world. Takes guts, that does."―Marilyn Stasio, New York Times Book Review
"THE BURIAL HOUR proves once again Jeffery Deaver is a brilliantly intricate novelist. THE BURIAL HOUR is lucky number thirteen in the Lincoln Rhyme/Amelia Sachs series. Taking Rhyme and Sachs out of their New York locale appears to rejuvenate Deaver and his story. Deaver has been writing novels for many years and he has never once disappointed me. Intriguingly detailed."―Jackie K Cooper, The Huffington Post
"Deaver, who is a master of surprises, once again delivers an overflowing basketful of them-enough for two novels, with more to spare-while hinting at a possible new direction for Rhyme and Amelia Sachs, his partner on and off the crime scene."―Joe Hartlaub, BookReporter
"Misdirection and plot twists abound. Timely and relevant. Another strong entry from the always-reliable Deaver."―Booklist
PRAISE FOR THE STEEL KISS:
"Deaver is a genius when it comes to manipulation and deception. Stellar plot twists are in full abundance in THE STEEL KISS, and the story line veers in several unpredictable directions."―Associated Press
"Deaver doesn't disappoint. With an unmatched ability to create the perfect characters...Deaver takes fans to the edge in this one and dangles them over the cliff...One of the best books of 2016."―Suspense Magazine
"Darkly witty...unsettling."―New York Times Book Review
"Fiendishly inventive...all the usual thrills, which are worth every breathless minute."―Kirkus Reviews
"Clever...entertaining...Convincing characters and an unexpected closing twist will remind readers why Deaver is one of today's top thriller writers."―Publishers Weekly
"[THE STEEL KISS is] like a master class in how to perfectly balance plot and character....A terrific novel."―Connecticut News
About the Author
Jeffery Deaver is the #1 international bestselling author of more than thirty novels, three collections of short stories, and a nonfiction law book. His books are sold in 150 countries and translated into 25 languages. He's received or been shortlisted for a number of awards around the world. A former journalist, folksinger, and attorney, he was born outside of Chicago and has a bachelor of journalism degree from the University of Missouri and a law degree from Fordham University. You can visit his website at www.JefferyDeaver.com.
Most helpful customer reviews
12 of 12 people found the following review helpful.
Stretching Plausibility to the Breaking Point
By Richard B. Schwartz
THE BURIAL HOUR is the new Lincoln Rhyme/Amelia Sachs novel by Jeffery Deaver. It begins in NYC with a very strange (which is to say a normal) case for Lincoln and Amelia. A man is kidnapping individuals, putting their heads in nooses and then using their gasps or heartbeats or whatever as parts of the rhythm sections in traditional melodies. He is labeled the ‘Composer’. At the crime scenes he leaves miniature nooses made of animal intestine—the best material for strings on some musical instruments.
Then he goes to Italy. And the case continues in straightforward Rhyme/Sachs fashion. Evidence is found and analysed and charts of information are constructed, the latter serving as helpful summaries of the case-to-date for the reader. In the course of the story we learn about the many branches of Italian law enforcement. We are introduced to a pleasant young man from their, in effect, forest service, who is part of law enforcement but who is regularly ridiculed for dealing with truffle thieves rather than real criminals. We are also introduced to a canny but bullying prosecutor who, in Italy, participates in the investigative process. Finally, we receive a putative subplot concerning a Neapolitan rape, which may or may not be related to the overarching case of the ‘composer’.
The story ends (SPOILER?) with a series of twists and turns, in standard Deaver fashion, but here those twists are, in my humble opinion, so preposterous as to stretch the imagination to the breaking point. The book ends with Rhyme’s receiving an offer to take his career in a new direction. Whether or not it is Deaver’s decision to actually do this . . . we will have to wait for the next book.
I am always impressed with JD’s command of forensic detail. Here he adds the fascinating problem of individuals conversing with native English speakers in broken English. The Italians (and some Arabs) attempt to use idiomatic English and they are gently corrected, often by Sachs. This adds humor to the narrative, though it risks distraction and a shifting of tone. In general, Deaver handles it very well.
While at first the book seems to be about serial killing it shifts and becomes a story about the refugee crisis in Europe and, simultaneously, a study of the levels of law enforcement in America, Italy and the world. I liked the characters but the implausibilities were too great for me this time. Hence only four stars.
36 of 39 people found the following review helpful.
Ugh.
By KellyP.
I love Deaver. Ive read every single one. I wasn't that thrilled about the last one, and it seems it keeps going downhill. I haven't finished it yet. I'm about halfway in and it just doesn't have that feel to it. That gripping suspense the Lincoln Rhyme books have.
It rambles on and on about the Italian law force set up and procedures. Rhyme and Sacks play a smaller part in this book, and most of the focus is on these Italian officers. Again, it rambles on and on.
It's just not that interesting to me. I keep waiting for it to pick up and it's just not. Hate to say I'm going to be putting it down. I won't finish this one.
The series is losing its touch for sure.
9 of 9 people found the following review helpful.
Rosalind869
By rosalind i. prince
I've read all of Deaver's books and usually can't put them down until the last page. I love the characters: Lincoln, Amelia, Tom and the other New York police. The Italian police do not have same synergy.
This does not feel as if it was written by the same author. It was hard to get into and at times confusing. Please go back to working New York cases.
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