Sunday, March 2, 2014

[X153.Ebook] Get Free Ebook The Male Nude Now: New Visions for the 21st Century, by David Leddick

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The Male Nude Now: New Visions for the 21st Century, by David Leddick

The Male Nude Now: New Visions for the 21st Century, by David Leddick



The Male Nude Now: New Visions for the 21st Century, by David Leddick

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The Male Nude Now: New Visions for the 21st Century, by David Leddick

As images of men bodies have proliferated in pop culture and advertising during the past decade, many artists and photographers have taken up the male nude as a primary subject...

  • Sales Rank: #1978165 in Books
  • Published on: 2001
  • Binding: Paperback
  • 226 pages

Most helpful customer reviews

29 of 32 people found the following review helpful.
A thoroughly entertaining, valuable addition
By Grady Harp
David Leddick has moved from his prodigious gifts as a photographer to establish himself rather swiftly in the realm of art historian/commentator. In "Male Nude Now" Leddick opens this well designed book with a terse essay and then lets the artists speak for themselves. The subject: The growing acceptance and interest in the male nude as depicted by photographers, draughtsmen, painters and sculptors in the 21st century. In placing his subject approach in chapters/divisions such as Experimentalists, Fantasists, Neoclassicists, Sensualists etc he attempts to emphasize various approaches to the male nude. It works. Though the dividing lines are vague, they do set up a dialogue for the viewer. One of the most gratifying aspects of this book is Leddick's finely researched coverage of artists who appreciate and celebrate the male nude. There are the well known artists such as Don Bachardy, Duane Michaels, Tom Bianchi, Michael Leonard, Chuck Close, David Hockney, et al - all represented by fresh works not visible in other books. But it is his inclusion of such fine young talents as Wes Hempel, John Sonsini, Graydon Parrish, Wolfgang Tillmans etc that make this a voyage of discovery. The reproductions are true, divided bewteen richly colored images and all phases of Black and White photographs. And in keeping with the documentary style, he includes photos and bios of each of the artists he has selected.
This is a fine addition to the literature of art, to the dialogue of the ongoing struggle of presenting the nude male frontally that faces all artists (and viewers), and to the sophisticated art books that grace the libraries and coffee tables of sensitive people. Bravo!

16 of 23 people found the following review helpful.
Sampling -- It's a Fleeting Bite of a lot of Photographers
By Daniel C. Long
I'm sure that the artist photographers are masters in their field. However, the sampling introduced in this book barely made my mouth water (with the odd exception), let alone drool.
If you're serious about photography, and less about the depiction of male beauty, this book is for you.

47 of 47 people found the following review helpful.
GREAT PHOTOGRAPHS
By MOVIE MAVEN
The photographs and reproductions of drawings and paintings and sculture in David Leddick's book are so clear, clean and produced so beautifully that it makes this important, if paperbound, volume worth the high price.
Leddick has cleverly divided the book into seven different categories: artists who are experimentalists, those who are neo-classicists, eroticists, fantasists, sensualists, realists and romanticists. The categories contain images by famous artists: David Hockney, John Dugdale, Christopher Makos, Nan Goldin, Duane Michaels, et al. mixed with those of artists who are not so well known, my personal favorites being David Halliday and Greg Bruce.
Leddick's opening essay (which could very easily be much longer and more detailed) explains what artists in the past had to put up with if their art contained even a hint of male eroticism. Times have obviously changed and this book is proof of that fact.
My one criticism, and it is a major one, is that the author insists on "gilding the lily." All of his examples speak best by being viewed. Besides biographical material which is to my mind vital, Leddick's extraneous editorial comments often border on the precious and are always unnecessary i.e. "Jack Slomovits photographs men who seem to be lost in their own erotic fantasy world...," "It's hard to imagine how he (Stewart Shining)finds time for his artistic pursuits between meetings with fashion editors, shoots in Florida and bookings in his studio...," "Rankin is very much a rebel with a cause...."
My advice: Look at the countless, first rate examples in the book and then contact the artists or their representatives as listed in the index to learn more about them.

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